Blue Shell

1. Basecoat with 1:1 Kantor Blue and Sotek Green .
2. Shade with 1:1 Kantor Blue and Abaddon Black .
3. Glaze some general highlights and apply chunky highlights with Sotek Green
4. Add finer highlights with 1:1 Sotek Green and Ushabti Bone .
5. Now apply selective highlights with 1:1 Sotek Green and Screaming Skull .
6. Mix the previous paint 1:1 with White and apply specular/really small highlights.
7. Finish with specular highlights of White in areas that would really catch the light.

Cream belly

1. Basecoat with Screaming Skull .
2. Soft shade recesses with 1:1 Screaming Skull and Tau Light Ochre . Keep this stage very thin and don't be afraid to do multiple passes to build up colour.
3. Mix the above paint 2:1 with Dryad Bark . Now add a fine line of shading to all recesses, separating panels.
4. Use some pure Dryad Bark to seperate materials distinctly. I used this sparingly, mainly when I needed to separate elements clearly.
5. Highlight with 1:1 Screaming Skull and White .
6. Finish with selective White highlights.

Red Claws/Feelers

1. Basecoat with Khorne Red .
2. Shade with 1:1 Khorne Red and Abaddon Black .
3. Highlight with Evil Sunz Scarlet .
4. Selectively highlight with Fire Dragon Bright .
5. Finish with a few specular highlights of Lugganath Orange .

Yellow Eyes

1. Basecoat with Averland Sunset .
2. Glaze the bottom third towards the recess with Troll Slayer Orange .
3. Run a very small amount of Mephiston Red where the eyeball meets the stem.
4. Highlight the top third with a glaze of Flash Gitz Yellow .
5. Mix some Ice Yellow into the Flash Gitz Yellow and highlight more selectively.
6. Finish with a very small highlight of pure Ice Yellow .
7. Paint in the pupil with Black .
8. Add a glint of pure White , towards the top right of the pupil.

Black Jacket

1. Basecoat with Black .
2. Mix a little Administratum Grey into your black and glaze highlight raised areas.
3. Add more Administratum Grey into the above paint (roughtly 1:1) and pick out edges.
4. Selctively highlight edges with pure Administratum Grey .
5. Finish by adding a little White and poping a few very

White Trim

1. Basecoat with 1:1 Celestra Grey and White .
2. Shade with Administratum Grey .
3. Shade more selectively with Dawnstone , where needed.
4. Higghlight with White .

Boxing Gloves

1. Basecoat with 1:1 Mephiston Red and Evil Sunz Scarlet .
2. Soft shade with some thin Khorne Red .
3. Enhance the shading in particularly deep parts with a mix of Khorne Red and Abaddon Black .
4. Highlight with Evil Sunz Scarlet .
5. Add finer highlights with Wild Rider Red
6. Selectively highlight with Troll Slayer Orange .
7. Mix a little Ice Yellow into your Troll Slayer Orange and add a final highlight.

Flames

1. Basecoat with Averland Sunset .
2. Glaze the bottom half of the flames, closest to the source of the heat with Yriel Yellow .
3. Now do the other half, pulling your brush towards the tip of the flames. This time, using Fire Dragon Bright .
4. Covering roughly two-thirds of the previous yellow, glaze using Flash Gitz Yellow towards the heat, again.
5. Do the same, but towards the tip with Troll Slayer Orange .
6. Now glaze/wash the area closest towards the "heat" with Dorn Yellow . This should be roughly one-thirds of the area now.
7. Similarly repeat on the top thirds of the orange area, this time moving closer to red with Evil Sunz Scarlet .
8. Finish the area closest to the heat, by washing with pure White .
9. Now really darken the tips with glazes of Mephiston Red , Khorne Red and mix in a little black for the final glaze.
10. These last two stages are a little nebulous, and I cannot really give you precise steps. Just use the yellow paints like the Flash Gitz Yellow , Dorn Yellow and White to enhance the look of heat in recesses. Just use a brighter paint the closer you get to the start of the flame.
11. Now highlight the ridges closest to the tips with the more red colours. I would advise working your way up with the Troll Slayer Orange , Mephiston Red and Khorne Red , the cloest you get to the tips. Finishing by re-establishing black on the tip if needed.

On all of these steps, the aim is to get a smooth transition. You may want to repeat certain steps or go back at forth until you are happy with the result.